Well built, feels sturdy - and you can replace & customise parts. ![]() The highly sensitive and intuitive interface features a black carbonate touch-plate skin which reacts to the smallest vibration and. I would recommend going with the original Touche and not the SE if you want even more CC control. Highly reactive black plastic surface 4 Dimensions of movement 4 Ultra-sensitive, independent parameters (shiftings). Building upon the success of the original Touch, the EXPRESSIVE E Touch SE is a streamlined version of the USB MIDI control surface, designed to add expressiveness to your software synthesizers and plug-ins. Our patented control surface features unmatched sensitivity, translating the a subtlest gesture into rich MIDI, CV and USB control data. I highly recommend the Touche for orchestral composers who want to avoid using 2 or 3 sliders at once. 1ll Touch unlocks incredible new sound design possibilities in all your favourite software and hardware instruments. It is a physical instrument after all.Ī small con is that it takes about 10 seconds to save any new CC controls you assign and that it took me about an hour to find the right way to load Touche only as a midi instrument (without using Lie). It contains four CV outputs for connecting to modular gear such as Eurorack equipment, or other desktop. Touch is a highly sensitive controller with pressure and direction both adjusting the outputted control signals. Touch unlocks incredible new sound design. Expressive Es mission is to improve the way musicians interact with sounds by creating a much more. We’ve always loved Kaoss Pads and wished a company would make a standalone device that could control multiple MIDI/CV parameters across multiple instruments in a hands-on way that’s pretty much what. ![]() It might take a few days to get used to controlling the Touche on one hand, while playing your keyboard with the other - but it's worth the practice! An extra good feature is that you can control the sensitivity of the Touche (how responsive it is to your movements). The Touch touch controller, from Expressive E, is a whole new way to control both software and hardware instruments. Get ready to unlock expression in your music more easily than you might ever have imagined was possible. So enter Expressive E, the innovative French startup aiming to bring expressive touch control to the masses with its Touch controller. Using gestures to create the most precise and sensitive sounds, Touch enhances & controls pitch, gradations, intensity and rhythm like never before. You can even set up your own custom CC curves (like exponential or linear or even draw one). Touch is an expressive instrument that lets you control electronic sounds with a touch of your hand. I'm very pleased with the results: smooth expression, much more detailed than what a slider can get you! The best feature is that you can use two CC's at once (example: vibrato and expression) and have them flawlessly combined into each other. It encourages you to ‘play’ virtual instruments in ways you wouldn’t with standard controllers.I got the Touche for controlling orchestral and ethnic instruments, specifically for mapping dynamics, vibrato and expression to the different axes of the Touche. This aside, the Touché is a well- designed, expressive controller and for software-centric musicians is an excellent addition to an existing MIDI controller setup. With just a USB connection, the device isn’t directly aimed at hardware users, but it can still be used to control external instruments via a DAW, so it’s a little disappointing that there’s no way to easily save templates or presets for that purpose. There are several ideas on how to build such a mechanism but while discussing MIDI control protocols for Drambo and Groove Rider, I remembered that the Arturia. Being software-centric, the Touché SE doesn’t offer up a selection of hardware templates like its MIDI/CV-equipped sibling. Inspired by the wonderful work of hypnopad and at the same time shocked by the retail price of an Expressive E Touch, I wondered for a while how a cheaper alternative could look like. When used in this way, each of its ‘Shiftings’ outputs a MIDI CC, which can be changed and configured using Lié. The Touché SE can also be used in standalone mode without Lié loaded. While the range of presets is far from exhaustive - the likes of Serum, Omnisphere and Avenger don’t get a look in - those supplied are generally very well chosen and effective.įortunately it’s very easy to create and edit your own, meaning you can adapt the system to whatever software sounds you choose to use. ![]() ![]() Presets are loaded within Lié, with pre-mapped assignments for the Touché controller. The Touché SE also comes with several packs of presets for software instruments including UVI Workstation (bundled) and Falcon, Arturia’s SEM V and Mini V, Sylenth1, U-he Diva and NI Massive. The hardware still feels high-quality and its shapely, all-black design exudes quality
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